Playtime cool for rainy indoor afternoons or sunny adventures in the great outdoors.
Posts from the ‘prints’ Category
We’ve featured Ola before on the blog being a tiny bit obsessed with their stunning patterns and quality stationery however this time we’re sharing something from their Christmas shop; the origami decoration kit. Whilst fantastic for Christmas they are quite frankly decorations we’ll probably display all year – especially as their homemade!
Using their signature patterned papers designed and Made In England you can make eight contemporary decorations.
Learning a new skill takes time and concentration. With this in mind they are great for this time of year with long dark evenings when you just need to stop and quieten your mind and become absorbed in something that will take you away from day to day life. We would recommend these for yourself or actually as a Christmas present as people may have the time to dedicate this time to a project over the holidays. We tackled it as a team of two and this definitely added to the enjoyment and sense of teamwork as we worked our way through the instructions.
The kit comprises of 48 x small patterned squares, 12 x large patterned squares and satin ribbon and is presented in a hand-finished box with the instructions of how to make them all.
Being novices at Origami it was exciting to undertake a new project but we have to be honest and say there were a few steps where we were completely foxed. Frustrating and funny at the same time those first ‘prototypes’ were definitely a challenge. However, the cheat sheet bit is that you get access to their exclusive step-by-step videos which show you how to do them and this always saved us when we had reached a dead end. A clever idea and great to have as a back up if you need it.
We could see how we improved in our accuracy as the gaps got tighter and the decorations got more crisp. It was rewarding, fun and a great way of being creative with some guidance. We’d definitely recommend these as a beautiful present for someone with a love of paper to create their own bespoke decorations made by hand with paper made in England. What’s not to love?
For transparency we were sent the origami decorations as a challenge to make them as part of this feature!
If you’re on Instagram then we’re pretty sure you will have heard of ‘Bloom & Wild flower delivery’. We love this brand for their quirky take on bringing postable greenery into our homes in the forms of seasonal flowers, wreaths and even, well, Christmas trees! Each of the above arrives in a narrow slim box which easily fits through a standard letterbox.
First up this year is ‘The Drew’ which arrives with a collapsable pot, moss and ribbon. You can choose what decorations you’d like it to come with for a little extra sparkle – be that baubles, fairy lights, deluxe beauty treats (yes really!), robins or jingle bells.
We couldn’t resist the stunning reflective hues of the mini baubles and fairy lights so this was our combo to get started with for a design-led looking mini tree in our kitchen.
Kitchens can be tricky spaces for bringing festive cheer to as there’s the safety issue of adding flammable materials to a kitchen as well as the practicality issue of lots of ornaments and banners precariously taped or balanced. The idea of a mini tree which could sit on the worktop, be easily moved and watered once a week seemed perfect. The fairy lights are battery operated making it a really easy portable tree.
For our kids room we wanted something fun which they could embellish to really make it their own. We opted for ‘The Jack’ with its colourful string of festive jingle bells and fairy lights which when initially decorated by our three year old looked like this:
And was later embellished with lego to look like this..
The great thing about these mini trees is you can move them around their room to set up different festive scenes (sometimes it is also ceremoniously walked to the playroom with new embellishments added). It becomes a living breathing part of Christmas the kids can enjoy looking after.
You might have clocked our first review of a mini-tree last year (if not you can read it here) and we just wanted to update you that we potted it up last year and it’s been very happy. We’ve added a few of the baubles from last year as a welcome by our front door! Once Christmas is over pot yours up and help the little fella grow so you’ve got a Christmas tree for years to come!
If you fancy your own tiny tree or want to surprise a loved one to get them in the festive mood (especially if they’ve only got a small space) then enjoy 10% off your first order by signing up to the Bloom & Wild newsletter (scroll to the bottom of their ‘Bloom & Wild flower delivery’ homepage to sign up).
For transparency we were sent these trees by Bloom & Wild for the purposes of photography and to share on the blog as part of our Christmas series. We’re huge fans of the minimal packaging, clever seasonal designs and practicality they bring to the flower delivery market!
The busiest time of year? Get a diary which is going to work as hard as you in 2017!
With just 4 Sundays left before Christmas we’re starting our Christmas recommendations here at ecomodernstudios starting with Hello Marilu.
Hello Marilu is a creative lifestyle brand with a strong focus on handmade. Created by Mary-Ann Aveline in 2015, Hello Marilu offers an eclectic range of textiles and paper goods that have all been designed, handmade or hand finished in her South London studio, using a variety of techniques such as screen printing, marbling and painting.
We put in a 12-bauble strong order as her hand-painted ceramics are just the sort of one-of-a-kind heirlooms that are treasured on the tree year after year (as well as perfect for thoughtful gifts for those who have ‘everything’). Intrigued about what drove Hello Marilu in its first year of business we sat down with a cuppa to find out more about what makes this British brand tick.
In a time when we’re so technologically advanced why do you think there’s been such a strong comeback of handmade with brands such as notonthehighstreet, Folksy and etsy championing the individual?
There is no doubt that technology is great; I can’t imagine living without my iPhone now, or the internet, but its is also kind of sad how much it dominates our lives. You might be working all day on a computer only to go home and spend half your evening checking social media or watching TV. Its addictive, and almost a bit overwhelming at times.
I think its this technology overload which is actually encouraging people to want to take up new hobbies, such as hand made crafts, or learning a new skill at a creative workshop. Being able to physically make something can feel so satisfying. There is a sense of achievement, something real that you can feel and touch, and it focuses your mind in a totally different way, almost like a meditation. The result is a finished product which you can feel proud of and that’s a good feeling.
The great thing about technology however is how it can help support and grow your handmade business. Years ago it would have been very difficult to know how to sell your handmade products or get any recognition, but with websites like notonthehighstreet, Etsy and Folksy, almost anyone can get their work out there.
It makes handmade products accessible to everyone and it also shows that it is possible to sell your own work – something which would otherwise feel very daunting. People that buy handmade are looking for something a bit different – something personal, unique, and original. It can be hard to know where to buy those things on the highstreet so websites that showcase products from independent designers are a wonderful source for both the buyer and the seller.
Creative workshops also really seem to be on the rise which is fantastic. Its lovely to learn a new skill and try something you never would have thought of before, whilst meeting other fellow creatives. There are some really unusual ones out there too. Earlier this year I went to a spoon carving workshop by Grain and Knot, which is something I probably never would have had the opportunity to try had there not been a workshop available!
Your work is bright, bold and playful with pops of neon and gold! What inspirations have you had in 2016 which has helped shape your brand and what are you looking towards in 2017?
I have always loved bright colours, neon red in particular and of course gold. I find colours like that can transform a simple design into something really eye catching. I tend to be inspired by so many different things – almost everyday a new idea pops into my head, or I see a new technique which I want to try. I am very curious with wanting to try different techniques and I have a long list which I need to work through!
It was Screen Printing however which really led me to start Hello Marilu and it is something that I always love to go back to in between other crafts. I recently discovered through trial and error how to screen print with gold foil. I was so pleased that I could finally get it to work, and I now have quite a few gold foil print ideas in the pipeline.
I also love how working on one idea can organically lead you on to something else. I am really enjoying hand painting my ceramic Christmas baubles at the moment and I now to want to decorate other ceramic items such as plant pots and coasters.
I would love to try the Japanese technique Kintsugi. If you are not familiar with it, its basically an ancient Japanese technique of repairing broken or cracked objects using gold. Rather than trying to hide the damage you make it a feature by highlighting it with gold. It is really quite beautiful, looks amazing on ceramics, and of course its using gold, one of my favourite colours, so I’ve just got to try it!
What is the product you’re most proud of from your collection and why?
My hand painted Christmas baubles are getting a lot of attention at the moment, which is great in the run up to Christmas. It feels very special to personalise a bauble for someone, knowing that gift will hopefully be cherished by the recipient for years to come.
I love the build up to Christmas and decorating the tree is my all time favourite thing, so it makes me feel very happy to know that my baubles will be decorating other peoples trees too. The hand painted design which I use was inspired by traditional Russian folk illustrations. My mum is Russian so I grew up surrounded by beautifully painted Russian figurines and matryoshka’s. I have always wanted to use this inspiration for a project of my own so working on my hand painted baubles holds a special place in my heart as they are inspired by things which are very dear to me.
There is a really strong creative community online in the UK. What social media accounts do you really love following and why?
The online creative community is amazing. Websites like Pinterest really help for inspiration and finding new craft techniques that I would love to try, and Instagram is just incredible for building your business and seeing what other like minded creative people are doing. I love how supportive the Instagram community is.
Its so encouraging when you post a picture and receive such lovely comments and likes from people that you have never even met before. Its amazing how it can bring people together from all over the world! Instagram is definitely my favourite social media outlet and I think i would be a bit lost without it. It was a huge inspiration to starting my own business because it made me realise so many people were following their passions, and that I could do that too.
Some of my favourite Instagram accounts to follow are @ohjoy for lovely bright colours and DIY posts. Her account is always so cheery – its a great happiness fix and it just puts you in a good mood! Jewellery maker @benumade is another favourite. She makes the most amazing, quirky leather jewellery. Her designs are so unique, I find them really inspiring. They make me want to work with leather. I also love @elizabethpawle. Her woven and hand stitched art pieces have so much depth and texture to them, you just want to reach out and touch them, and they incorporate some of my favourite neon colours which is always a winner!
If you’d like to meet Mary-Anne and have a go at your own designs at a Bauble Decorating Workshop then you’re too late to catch her at Anthropologie (sold out) but if you’re quick you can get a place at her workshops at West Elm on 24th November (only 2 places left!) or 8th December (only 4 places left!). Price £20.
One definition of the noun ‘maze’ is a network of paths and hedges designed as a puzzle through which one has to find a way. This helps to sum up the experience of using the playful products from Maze Interiors.
Not, you understand that it is confusing, but rather that their products ask you to interact with them to discover what works best for your home – they don’t come with a rulebook!
Recently Wallpaper Magazine described the brackets as ‘mathematical shelving which allow reconstruction at the drop of a hat depending on the collection of objects on display’. It’s this functional flexibility which future-proofs Maze products in order to maximise their lifespan; a refreshing change to the planned obsolescence we often see with consumer products these days.
Take the brass-coated pythagorus shelving bracket system designed by Gustav Rosen as a case in point. You can arrange them in symmetry, mix and match with different colours or choose how they are hung (there are four options offering visual variety and freedom).
The beautiful glow of the brass coating was a magnet for us here at ecomodernstudios. We wanted to hang these in our grey and concrete kitchen to contrast the stark functionality with warmth and geometric interest. We had fun thinking about how best to hang the brackets and whilst you can buy the shelves from Maze too we chose to make our own using ply offcuts to tie in with existing shelves. Intrigued about the brand behind these playful products we sat down with CEO Lotta De Visscher to talk about the ethos behind this successful Swedish brand.
Hi Lotta, the website states ‘Nature in all its splendour is the greatest inspiration in history. It should be only logical to feel driven to protect it’ but what is it about nature specifically which is inspiring your current designs?
The natural geometrics of nature and the exciting variety of natures own materials are inspiring us right now. We find a lot of inspiration in natures own natural geometrics and patterns. The smartness and self-explication of its lines, curves and solutions. As always we enjoy natures vast variety of natural materials, differing surfaces and exciting colours to inform our work.
The ethos behind the ‘slow produced’ collection is fantastic. Are there household items which have been handed down to you which you treasure?
I think most of us have our old family treasures big or small, like an old single chair or a wooden kitchen table that we really love and cherish. These items are often filled with a lot of personal history, memories and stories that pass down through the generations and don’t we all love quality materials worn smooth by time and use?
Personally I treasure an embroidered pillow made by my grandmother which she used to have on her sofa when I grew up. A colleague treasures a bat armchair from the 1960s handed down from his parents, which has already been upholstered twice, but is an essential at home – it’s all about good warm memories isn’t it?
The pythagorus bracket system allows homeowners to be playful and flexible in how they use Maze Interior products. Much of your storage design follows in this vein – how did this approach come about?
We have always believed that when someone buys a Maze product it immediately becomes theirs to take over and they naturally become co-creators in how they choose to use it, where to put it and how they combine it with other things and furniture in their home. They create their own personal relationship with it. We encourage this as much as we possibly can because when you really add value to our products they become a living part of peoples lives.
If you could sum up Swedish design in 3 words what would they be?
Honest, clever and smart
In the interest of transparency Maze Interiors sent us the brackets for the purpose of photography to accompany this interview.
When we moved into our 1970s bungalow in Dorset from our terraced Bath Stone 1930s home packed full of character the initial impression wasn’t one of immediate attraction… However we knew that there were plenty of pluses with bungalows. The first being space, the second being all-on-one-level (handy with two tiny children) and the third being detatched. The bungalow was also a 5 minute walk to the beach which was a definite selling point and 3 years on we’re in love with the home we’re working so hard to create. It feels like home.
Here’s a little before & now photo which illustrates our work to date to keep a midcentury vibe but reference its coastal setting with the addition of new window sizes, shutters, cedar wood slatting, a white and grey paint update and tropical landscaping to include banana plants and numerous spiky plants.
Our focus has remained very much on getting the back extension and internal renovation finished but next up is to remove the green tile-hung frontage and replace with cedar wood, update the guttering and to relocate the ugly yellow alarm box! Even though there is a never-ending to-do list we can appreciate how far we’ve come and it was lovely when Michelle from Roxwell Press offered to capture our home renovation project with her customised illustration portrait service.
When the result arrived via post it was incredible to see how she’d really captured the spirit of the place (also kindly future-proofing the portrait with the cedar cladding rather than the current green tiles!). Michelle created the portrait by working from photographs we provided and asked about planting, colours and textures and it was this attention to detail that has ensured such a pleasing portrait which feels like home.
The bungalow always really sings on a bright blue day and it’s amazing to have this captured in the illustration. All that remains is to get it framed and hung. We’re thinking in the kitchen and know it’ll be a talking point!
The good news is that YOU can actually win a customised house portrait worth £100 by entering this competition which is running until 6th October. All you need to do is sign up with your email address to receive her occasional e-newsletters which feature sample sales, competitions and free hand-designed wallpapers for your screen. There is also currently free delivery on all orders (including a single card) at the moment so do take a look at her website or perhaps get an early order in for Christmas cards (if we’re allowed to mention the ‘C’ word yet).
If you’re not lucky enough to win Roxwell Press will offer a discount code to everyone whose signed up to the e-newsletter for the launch of this new house portrait service or you can skip the queue and pre-order with Michelle@roxwellpress.co.uk.
Meet Isobel. A Dorset Papercut Artist who is sure to brighten your feed with her creativity. After graduating in Textile Design from the Arts University Bournemouth in 2012 her work has evolved into illustration and paper cutting. Isobel took five from wielding a scalpel and scissors to explain what inspires her and her unique work…
We love your playful bright style. After graduating in textile design how did you end up going down the illustration and paper cutting route?
I’ve been obsessed with drawing, colouring, creating, cutting and sticking from the word go so I’ve always known that I wanted to work in a creative field. Whilst at university I became absorbed in intricately cutting, layering and sticking coloured paper as a way of designing colourful patterns and prints in my sketchbook.
I think it was my Final Project in my last year of studies which was my ‘light-bulb’ moment. I designed and engineered a collection of Elizabethan inspired collars solely from card and paper which I had printed onto and cut into. I loved the versatility of the shapes and forms I could creative by manipulating the card and paper and was hooked from there. Paper as an illustrative medium was also becoming popular around this time with the likes of Rob Ryan and his detailed paper cuts popping up so this definitely inspired me too.
How would you describe your vibrant style?
Colourful and playful with a sprinkling of sophistication through the three-dimensional intricate detail. My work most definitely requires a steady hand!
What topics or themes do you return to in your work?
Obviously a lot of the time, the theme of my work is defined by the clients brief. However, when I’m playing or working on a self initiated brief, a recurring theme is most definitely food! I find it such a colourful, vibrant subject matter and being a total foodie is probably a contributing factor too! The scale skin of a fish, the segments in a citrus fruit, berries bursting with colour… I find the inspiration from natures patterns and colours is endless!
What inspires you about Dorset countryside and coastline in particular?
I have a concerning habit of imagining how everything I see would look constructed out of paper, so I feel very lucky to have the ability to sponge inspiration from pretty much everywhere I go! I’m very drawn to colour, so colourful signs in particular inspire me, from bunches of wild flowers when I take the dog for a walk to rows of colourful beach huts along the Dorset beaches.
Some of my favourite Dorset towns also lend themselves as inspiration for my work. I have a range of paper cut prints, including a view over the harbour in Swanage and the famous steam railway chugging down the hill away from Corfe Castle in the Purbecks, two of my absolute favourite spots.
What other contemporaries are inspiring you right now with their creativity?
Fellow Paper Cutter wise, I adore the work of Jared Schorr. He works more two-dimensionally, but his work is just so much fun! He creates the sweetest little characters and worlds from card and paper and I really admire his imagination.
I follow lots of current illustrators on social media and two of my favourites at the moment are Holly Exley and Danielle Knroll. They both work in watercolour, but their styles are completely different. Holly creates the most intricate and realistic paintings with food and wildlife as recurring themes and I think her work is just gorgeous. Danielle paints in more of a whimsical style and I love the playful subject matter of her paintings and her use of vibrant colour combinations and patterns within her work. I’m also very inspired by set designers for their compositional and three-dimensional design qualities – there is a lot to be inspired from right now!